![]() #BCR 2000 USED FULL#In addition to the full complement of knobs, the BCR2000 has a double row of push-buttons switches along the top. The controllers are continuous, so the lights let you know the current "position" of each knob. Hundreds of LEDs provide excellent visual feedback, so it's easy to tell what your current settings are. This is a great feature, because it gives you twice the number of controls without requiring additional space.Īs you can see from the photo, the BCR lights up like a Christmas tree. This member of the B-Control family has twenty-four rotary encoders, and eight more across the top that are combination rotary encoders/pushbuttons. The BCR2000Įach member of the B-Control shares many traits, including size and shape, construction and documentation. It can also be connected directly to hardware gear, making it ideal for adding knobs wherever they are needed in your studio. It's a very inexpensive way to control virtual gear, and is compatible with Cubase, Cakewalk Sonar, Logic Audio and other major music applications. This review takes a look at the BCR2000, a USB MIDI control surface with three banks of eight rotary encoders, eight rotary switch/controllers and a complement of buttons. Behringer again has pushed the envelope, pricing the B-Control's hundreds of dollars below their competition. Each B-Control is well spec'd out, but most impressive is the units' pricing. Multiple units can be interconnected and share a single USB port, making them modular building blocks for the virtual studio. The units share a consistent design & size, and together make an impressive control center. The BCF features faders the BCR features rotary controls and the BCA features an audio interface. #BCR 2000 USED SERIES#Each of the units in the B-Control series has a different primary purpose. The devices are: the BCF2000, a MIDI controller with motorized faders the BCR2000, a MIDI controller with dozens of rotary controls and the BCA2000, a multi-channel Audio/MIDI control interface. NAMM 2006 Show News Behringer BCR2000 USB/MIDI Controller Reviewīehringer has introduced the B-Control series, a line of MIDI hardware controllers with capabilities and pricing that positions them as price/performance leaders. Korg MicroKontrol 37-Key USB Controller Keyboard Roland SP-606 Review: More Than A Sampling WorkstationĬakewalk Kinetic Review: Export This Grooveįuture Retro 777 - Evil Incarnate, or Just an Awesome Synth? Home | Forum | News | Music Reviews | Gear Reviews | Articles | Interviews | Artists | Directory | Auction Finder | Downloadsīitword Wavefront ReFill for Reason ReviewĬlassic Rock TrackPak: Apple Loops for GarageBandīehringer BCR2000 USB/MIDI Controller Reviewīixonic Expandora Multi-Stage Distortion Pedal Review But do bear in mind that both of these products are just design concepts and no actual product has been promised.Behringer BCR2000 USB/MIDI Controller Review About | RSS News Feeds | Feedback | Search ![]() However, it looks great and could mean there’s going to be a lot of spacey, wobbly music in our future Facebook feeds. I imagine the Behremin will be the sort of product that ends up collecting dust on a shelf but you’ll have to have one in order to complete your Behringer Pirelli-style sticker book. I don’t mean to be patronising and people are absolutely allowed to want what they want it just feels a bit like the crowd will lap up anything Behringer proposes without question or pause. #BCR 2000 USED HOW TO#A well-played Theremin is a beautiful thing but it’s a bit like Behringer releasing a violin and everyone saying they’ll buy one even though they don’t know how to play it. They are notoriously difficult to play and are not particularly versatile in terms of tone. ![]() A Theremin is not just a synth or a control system, it’s an instrument. Again the comments are all very positive and this makes me wonder. ![]()
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